Though not very much a fan of Tollywood (as South Indian movie industry is casually referred to), I got interested in Eega after reading constant reports and reviews, most of them positive. There has been a huge buzz for Makkhi (Pun intended) and curiosity got the better of me. A week back I saw S.S Rajamouli, Eega’s writer and director, nominated for the Indian of the Year 2012 award, for his contribution in the field of entertainment through this movie. That propelled my interest in this science-fiction flick which has a housefly as the protagonist. Initially I thought it to be a dead-plot, stupid in fact. But post watching the movie, I feel how stupid was I. I should stop judging the book by it’s cover.
The basic plot of the movie felt interesting when I first heard about it a year ago. But to imagine a full-length movie being made on this concept seemed to be either an act of incredible confidence or incredible foolishness. I discovered the former to be true after watching the Hindi dubbed version of the movie. I enjoyed it thoroughly and loved the performance of all the actors. The movie stars Telugu film industry actors, Nani, Samantha and Sudeep in the lead roles. I haven’t seem them earlier but they all suited their roles perfectly. Nani’s character has a limited screen time, but he brings in chirpiness to the movie playing Samantha’s love-interest. Sudeep is a multi-millionaire and plays the negative character in the flick.
Eega is an emotional love story replete with Computer Generated Imagery. It is a usual revenge drama with an unusual angle. An insect taking revenge from a human.
The high level of VFX shots involved in the production is the reason attributed to the delays this movie faced in reaching the theaters. Rajamouli is a director well-known for his masala movies. With the current South Indian fascination of the Hindi film industry, many of his films are being remade in Hindi and all of them are getting great response. Rowdy Rathore and Son of Sardaar are some examples. Rajamouli knows his audience and has packaged the contents with all the features typical to the genre and region. But still, the story gets to you like a wonderfully illustrated comic-book. The version of the movie that I saw had some dubbing-gaps, where the Hindi dialogues were missing and the original Telugu audio came to the fore, yet I never lost interest. I was continually involved with every frame to the end-credits, irrespective of the language barrier.
I don’t know how much I must have been missing with all the preconceived notions or due to my knowledge insufficiency regarding other languages.
With Eega, Rajamouli has captured the imagination of millions across the globe, when all the time he was focusing on his home industry. That’s one of the signs of a great work.
Do watch Eega/Makkhi – your hate for the irritating little monsters may well buzz off.